Ben Faustine
2/27/12
Professor Leake
Essay 2
The Multiple Lives of a News Story
The Super bowl is one of America’s great past times. Family and friends gather to eat, drink and watch 300-pound men hit each other at full force. 2012’s Super bowl attracted 111.3 million viewers [1]. How many of us can say that we have been engaged in deep conversations during the game but proceeded to hush everyone as soon as the advertisements came on. At 3.5 million dollars for 30 seconds[2] the ads must be good. Every year each ad under goes scrutiny by families and friends sitting on their couches and lazy-boy chairs. Winners and losers are always crowned. Among the winners this year was a Chrysler “halftime in America” ad that played during half time. In this ad, Clint Eastwood, is his raspy cowboy voice, explains how it is half time in America. He shows us that America is strong and will rise from the dust to become a powerful nation yet again. From the moment the advertisement played, the new sphere exploded and the story flew from site to site changing through uses of Harris’ forwarding, countering and taking an approach and eventually stirring up controversy.
The story begins before the Super bowl. Early on the morning of February 5th, at the National Automobile Dealers Association the ad was played for almost 1000 Chrysler dealers of all race, genders and political affiliation. The ad was met with extreme emotion as people “cried, and then left the room.” One dealer explained “We were all crying, crying and applauding at the same time. We were blown away. We knew what he was talking about. We’d all been through hell and back. No one was more publicly flogged than we were. We were failing. And here we are. We’re making money[3].” To these Chrysler dealers there was no political agenda behind the ad, it simply represented what the country had gone through, and how the United States was beginning to pull itself back up. To them it represented a recovering America. How wrong they were.
As soon as the Chrysler ad aired the twitter-verse exploded. Michael Moore tweeted, "Your sermon seemed 2 b a call 2 give O his 'second half.” And Michelle Malkin, a conservative blogger asked, "WTH? Did I just see Clint Eastwood fronting an auto bailout ad???[4]" (8) Both of these individuals are affiliated with heavily with a political party, Moore with the left and Malkin with the right. I didn’t seem unusually for either of the two to critique the political agenda of anything. For the most part the responses to the ad followed what the Chrysler dealers saw, it was claimed by many as one of the best ads of the year. By the morning of February 6th, a mere 12 hours after the game ended the ad was being hailed as great. Forbes said it was the second best ad of the super bowl[5] and business insider said that the ad “rocked the house.[6]” All seemed well for the ad.
Later on the 6th in a fox news interview with Bill O’Reilly, a noted republican, Karl Rove, another noted republican used countering to express his concern that the Clint Eastwood ad was a pro-Obama ad. The host, O’Reilly read the transcript of the commercial and Rove responded, “I was frankly offended by it. I'm a huge fan of Clinton Eastwood. I thought it was an extremely well-done ad. But it is a sign of what happens when you have Chicago style politics and the President of the United States and his political minions are in essence using our tax dollars to buy corporate advertising.[7]” In his interview Rove uses countering of the commercial to critique its political agenda. Rove is alluding to the auto-bail outs that the Obama administration gave out to help to auto industry from collapsing. He accuses Chrysler of using taxpayer money (from the bail out) to promote the Obama administration. One must analyze not only the advertisement but also the person doing critiquing. Rove is a vocal republican who served as Senior Advisor to President George W. Bush from 2000–2007.[8] His background and purpose must be taken into account when reading his interview.
After only 24 hours in the new sphere the story traveled from the Super bowl, to social media, to being claimed one of the greatest ads, to being criticized by the right as being politically biased. It seemed like the controversy was gaining traction. Clint Eastwood even felt the need to comment on the controversy. He told Fox news on the 7th that "I am certainly not politically affiliated with Mr. Obama. It was meant to be a message ... just about job growth and the spirit of America. I think all politicians will agree with it.[9]" Eastwood took what political commentators such as Rove and O’Reilly said and forwarded it when he responded to questions from fox news. Eastwood, a conservative who support McCain in the 2008 election, told the country that in no way was the advertisement a political statement. Eastwood just wanted to let the country know that it was “just a message.” David Limbaugh, another conservative got in on the story, not by critiquing the ad itself or the “political agenda” but challenging Eastwood’s political stand points by saying that, “Clint Eastwood's credentials as a conservative have been overrated[10]” While following this news story it is evident that after 3 days of discussion no longer are the attacks limited to the agenda of the ad but are expanding to the person integrity of the actor hired to talk in the ad.
It is fascinating to follow how these news stories changes within a matter of days. After the “halftime in America” ad played for 111.3 million viewers, many were inspired and some were in awe. Because of out instantaneous connection with the Internet the social media scene blew up. Political commentators were tweeting right away. The next morning, however, the main topic of conversation in all the morning shows was what the best Super Bowl ad was. All praised halftime in America. Later that day, after political commentators had a chance to form their arguments. Most of them used the literary technique of forwarding and countering to label the ad as left leaning and promoting Obama. The next day (the 7th) gave way to a response by Eastwood, criticizing the criticizers. The response was then followed by a character attach on Eastwood. It is astounding following the growth of a news story for a small 72 hour time period. Since the critique on Eastwood’s character, the arguments have remained similar only traveling from one news sources to the other. After the first few days of the story, the controversy seemed to die out and give way to other stories.
Personally I was fascinated by the life of the story, particularly because of how short lived it really was. Yes it was talked about for a few weeks but the new sphere exploded in the first few days. It was amazing to see the transition of the story. It was interesting how it took political commentators about 24 hours to come up with their response to the ad. The other facet of this story that stood out to me was how this news story changed from an attack on Chrysler and the left-leaning ad to a full on criticism of Clint Eastwood. The character attack seemed, both unnecessary and unproductive to the argument. Overall the following the story was very enticing and really eye opening to how critical the media, and individuals can be.
I was one of the 111.3 million views who were watching the Super bowl when this ad came on. Frankly I loved the ad. When I heard Clint Eastwood’s raspy voice I new right away that it was going to be a great ad. I was engaged for the entire two and a half minutes that the ad played and I was inspired. It succeeded in giving me hope for out country. I saw absolutely no left leaning bias, or pro Obama message within the essay. In contrast, I thought that ad was implying that because it was half time in America, we needed someone new to lead up onto the field. Overall I thought it was an incredibly powerful message that 99% of the country could relate to. We all have suffered in someway or another in the past five years, but the “halftime in America” showed us that if Detroit could pull itself out of the gutters, then the country could do the same. However inspiring the ad was, the story changed as traveled from one source to another. As it traveled through the press sphere it was over analyzed and over criticized and the ad was ruined.
[1] Reuters. "Super Bowl, Madonna set new TV audience records | Reuters ." Business & Financial News, Breaking US & International News | Reuters.com. N.p., n.d. Web. 27 Feb. 2012
[2] Newsday. "How much does a Super Bowl commercial really cost?." Newsday - The Long Island and New York City News Source . N.p., n.d. Web. 27 Feb. 2012.
[3] STEWART, JAMES B.. "How Clint Eastwood's Chrysler Ad Stirred Politics - Common Sense - NYTimes.com." The New York Times - Breaking News, World News & Multimedia. N.p., n.d. Web. 27 Feb. 2012.
[4] "Clint Eastwoods Chrysler Ad Draws Divided Political Response ." Houston weather, traffic, and news | MyFoxHouston.com | FOX 26. N.p., n.d. Web. 27 Feb. 2012.
[5] Forbes. "The Winners and Losers of Super Bowl Commercials in 2012 - Forbes." Information for the World's Business Leaders - Forbes.com. N.p., n.d. Web. 27 Feb. 2012.
[6] Business Insider. "Super Bowl Ads 2012: Here Are The Winners And Losers - Business Insider." Featured Articles From The Business Insider. N.p., n.d. Web. 27 Feb. 2012.
[7] O'Reilly, Bill . "chryslers super bowl commercial nod obama?." O'Reilly Factor. Fox News, n.d. Web. 24 Feb. 2012.
[9] Kenneally, Tim. "Clint Eastwood speaks out on Super Bowl ad - Yahoo! News." Yahoo! News - Latest News & Headlines. N.p., n.d. Web. 27 Feb. 2012